BSO kicks off 60th season with Jenkins, Tchaikovsky, Bernstein

Guest violinist Jennifer Frautschi takes a bow with conductor Anne Harrigan following her performance of Tchaikovsky’s Violin Concerto on D major.

To celebrate 60 years in the Billings community, the Billings Symphony hosted virtuoso violinist Jennifer Frautschi for opening night. With delicate grace and charm, Frautschi performed Tchaikovsky’s Violin Concerto in D major.

The orchestra began the evening with a performance of the national anthem. Conductor Anne Harrigan, who travels between Billings and Michigan, where she also directs the Battle Creek Symphony, said, “It’s fabulous to be in a place where people actually sing the national anthem!”

Harrigan looked across the audience and asked, “Anita, was it you that sang the high note?!” From the balcony a voice chimed back, “Yeah.” The anthem, which spans an octave and a fifth, was accented by a single vocalist’s attainment of the high note during the word “free.”

Harrigan’s banter with the audience and the celebration of symphony founding, former and present members, created a comfortable, hometown feel to the evening.

The orchestra began with Allegretto from Karl Jenkin’s Palladio Suite, recognizable to many because of the snippets featured in a diamond commercial. The light piece featured the stringed sections, and after bringing back onto stage the wind instruments, Harrigan welcomed Frautschi.

From the first stroke of bow to 18th century Antonio Stradivarius violin, Frautschi awed with her pure tone. At times the drawing of the bow against strings was so delicate one was afraid to breath for fear of disturbing the silence in the hall. Other moments were filled with what seemed song, high-pitched singing and delicate murmuring emitting from the instrument.

Born in Pasadena, Calif., Frautschi began violin at the age of three. Well-educated, she attended Harvard, the New England Conservatory of Music, and The Julliard School.

Violinist Jennifer Frautschi in performance with the Billings Symphony during opening night Sept. 18.

Subtle and charming, and wearing a free-flowing white dress grazing the tops of her silver heels, Frautschi appeared restrained onstage. Her presence matched the music—light, classy and delicate yet moving into a nimble, mischievous, and, at times, aggressive tone.

From the melancholy allegro moderato to the impassioned finale, the Allegro vivacissimo, Frautschi fluttered, bowed, and plucked her way up and down the chromatic, charismatically performing one of the most technically demanding concertos of the classical repertoire.

Following Frautschi’s performance, the orchestra performed the music of Leonard Bernstein, showcasing the music from West Side Story. Harrigan, who mentioned Bernstein was criticized for creating musical numbers, said the works are “some of the most beautiful, creative orchestral music.”

BSO’s next performance, themed “Musique Macabre,” takes place Oct. 16. The orchestra will perform performs Wagner’s Ride of the Valkyries, Grieg’s Hall of the Mountain King, Saint-Saëns’ Dance Macabre, Mussorgsky’s Night on Bald Mountain and Berlioz’s “March” and “Finale” from Symphony Fantastique, as well as selections from the animated movie “The Corpse Bride.” Attendees are encouraged to dress for the occasion.

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